Friday, February 27, 2015

Why some people see the dress as blue and black, others white and gold.

Picture taken from Wired

In response to the “white and gold dress vs blue and black dress” debate, I believe that it is possible, in fact it is very possible that both are correct. One person sees white and gold, the other blue and black. I myself see it as a blue and black dress. However, this doesn’t mean that it the other person is wrong. Could it be two things at the same time? YES. How? Perspective.

At first I didn't understand how this could be white and gold, when I see blue and black. But when someone said “I just don’t see any black or blue there”, that’s the time it hit me. I suddenly remember page 25 of Stephen Covey’s 7 Habits of the highly effective people. To explain, let me first tell you (if you aren't aware yet) that there are two main categories of maps in our heads. As explained by Stephen, these are the “way things are or realities” and the “way the things should be or values”. The first one talks mostly about the truth, the fact, the reality while the latter is more how we see it or our perception. Most of us aren't aware of the difference between these two, and we simply assume that "how we see the things or the way we see the world, is the way it really is".

Our perception, more often than not, is an extension of our past experiences or how we are “conditioned’ to see in a certain way. And our perceptions affect our actions a lot more than what we know.

“The way we see things is the source of the way we think and the way we act”.

To illustrate, I’d like to borrow this intellectual and emotional experience that covey explained in his book.


Take a look at the picture below. 



Give it a good 10-second look and see it as it is. What do you see? Do you see a lady? Where is she looking? What does she look like? Do you see her nose? Her chin? A bit of her ear? How old do you think is she?

Maybe you’re seeing a young lady looking far right. You can slightly see her nose and a part of her left eye, definitely because of the eyelash. She also looks like she’s wearing some sort of a hat and a necklace.

If you agree with me, then let’s say you are seeing this just like how people saw the dress as “white and gold”.

Now would you agree with me if I tell you that this young lady is nothing close to that person which we just described? What if I tell you that that picture shows an old woman, with a big nose, and is looking down and has a very sad face?




I’ll show you what I’m talking about.


Tell me what you see? Do you see an old woman? A big nose? Long chin and a sad look on her face? How old do you think this woman looks? Is she anything like the young lady you saw before?

If you still can’t see the old lady that I am referring to, take a look at this:




Do you now see the old lady? Take a good look and then go back to the previous picture. Can you now see the old lady? Can you point out where the big nose is? What about the eyes, and lips, and chin?

The blue/black dress and the white/gold dress are [could be] one. And as I showed you, it depends on how your mind was conditioned to see it. It is possible that one is seeing the young lady and his point is a fact. And it is also possible that the other one sees the old lady yet still consider his point to be a fact. They could be looking at just one same thing but see differently.

What’s the importance of this?

I believe, this is one of the most important realizations we must have and we must keep in mind, every day. I believe that this can save the world – stop misunderstanding (which could stop arguments that turn into war) – and can save humanity. In its simplest form, it can save us from making wrong decisions which lead to wrong actions. This truth, in its basic application, can teach us how to really show genuine empathy towards another.

“If ten seconds [of looking at the picture] have that kind of impact on the way we see things, what about the conditioning of a lifetime?”

Ever wondered why it is very difficult to change a habit? Because we conditioned ourselves to do our habit over a period of time. We act in line with how we see things. Emerson said, “A man is what he thinks about all day long” and the quote that brought about a universal change came from Descartes' “I think, therefore, I am”. However, “we see before we think”. And how we think depends on how we see.

So how can we change our habits? By changing the way we think.

And how can we change the way we think? By changing the way we see things.

How can we change the way we see things? By understanding what Covey said:

“Each of us tends to think we see things as they are, that we are objective. But this is not the case. We see the world, not as it is, but as we are –or, as we are conditioned to see it. When we open our mouths to describe what we see, we in effect describe ourselves, our perceptions, our paradigms. When other people disagree with us, we immediately think something is wrong with them.”

Whenever we are having an argument with someone and we think we are right, let us stop. Think. And just like what photographers do, change perspective. Let us go to the side of that person we’re arguing with and see from his point of view. Let us look at the same side of the coin. In that way, we might be surprised that all along , we have been thinking that we were right, when we we’re absolutely wrong.

Thursday, February 26, 2015

Weddings (Portrait, Group)

Portraits at Weddings

Photos were taken during my apprenticeship program at Imagine Nation.





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Still life at Weddings.

The things that bring life and meaning to Weddings.

Most of the photos were taken during my apprenticeship program at Imagine Nation.
















Eastwood Libis QC, 2/26/15

To his patients, a professional doctor. To his parents, a very caring son. But to me, he’s the most approachable, hospitable, and easy-going kind of friend anyone can (is lucky to) have. 

It was a relaxed photo session with Gary last night at his place in Eastwood City Libis. I love his condominium unit - everything about it - from the ceiling, to the balcony, to the kitchen and master’s bedroom. I also like the interesting decorations that are neatly displayed and placed well around the unit. Most of all were bought from different places and Gary really thought about them and how they complement his place artistically. I'm thankful for RJ who helped me out and assisted me during the shoot (and took some photos as well) but most of all, being a good friend of Gary, he was able to bring out Gary’s true smile - the real source of his genuine character.

The lights inside the unit are already beautifully placed exactly where they should be so I only needed my flash to do “fill-ins” because I really wanted the ambient light to be illuminated.

I used my D7000, Nikkor 50mm f/1.4 and Tamron 17-50mm f/2.8, Reflective/shoot-thru umbrella, Nikon SB 900 and Yongnuo YN 560II, triggered by Nikon CLS.

Taken: Thursday, 2/26/15, Eastwood City Libis, QC Philippines













Saturday, February 21, 2015

Muvela's Place Rizal | 2/19/15

Last week's shoot was amazing. This is my second attempt in off-cam flash outside my area. We scheduled a shoot with Jo Anne, one of my long-time friends, which was supposed to be somewhere in Ortigas Pasig. However, two days before the shoot she suggested a beautiful place just a few blocks away from her house. My former bandmate Rica had her car with her so me, Rj, and Mike all jumped in and drove all the way to Cainta, Rizal where we found this awesome place called Muvela's. It was a hidden place, almost like a private place. where you and your friends can relax and have fun by singing in the KTV rooms, eating, or even drinking all night! What I like about this place is the ambience and the lights and the sounds (which made me relaxed the whole time I was shooting). The price is surprising too! For I was expecting the price to be a bit higher due to the setting of the place, but was actually lower than my expectation - perfect for friends and families who want to have a bonding!

I used my Nikon D7000, Nikkor 50mm f/1.4D, Tamron 17-50mm f/2.8, Nikon SB 900, light stand with reflective umbrella and triggered flash with a pair of Yong Nuo RF603.

Taken: Thursday 2/19/15, Muvela's Place Cainta Rizal Philippines









I'll try to make a separate thread for Muvela's pictures. But for now, let me fall asleep. :)

Riverbanks Marikina | 2/12/15

This is one of my first official off-cam flash attempts outside the convenience of my area. Two weeks ago I asked my long time friend Chris, who was a former classmate and bandmate in high school, to model for me since I'm trying out my new sticks (light stands) and haven't had a chance to shoot off-cam on location. As expected (let's just say that he's one hell of a selfie-addict, right Chris?) he enthusiastically accepted my invite and was eager to know when and where it will happen. So I setup a day where I have no work and where the place is close and familiar so we won't waste time figuring things out. I decided that the place most familiar to us is the place where we have known each other, which is also our childhood place, in Marikina. Together with another former bandmate Mike who assisted me on this shoot, we went to RiverBanks Marikina and took the east bank, where it isn't too crowded, and setup there. After setting up my umbrella (ella, ella, e, e..) a security officer appeared from nowhere and suddenly asked me questions like, "what is that for, sir?", "Do you have a permit to shoot here?". Of course, of course I (politely) said that I was just trying to practice my photography skills and said that I didn't have any permit. I knew I had to have one if I were to shoot on the other (crowded) side of Riverbanks but I didn't know we still needed to secure a permit at this place (and in every place which Riverbanks covers) before the shoot (3 days before the shoot, apparently). Luckily, Ms. Zaine, the events coordinator of Riverbanks, was too kind and gave me a pass to shoot just for that day. We shot from around 5pm to 7pm. Just a few warning, it gets a bit mosquito-y after sunset so you might want to bring some mosquito repellent lotion or cover yourself with a kulambo.

In these pictures I used my Nikon D7000, Tamron 17-50mm f/2.8, Nikkor 80-200mm ED f/2.8, Nikon SB 900, 1 light stand with reflective umbrella triggered by Nikon CLS. 


Taken: Thursday, 2/12/15, RiverBanks Marikina, Philippines.





Monday, February 16, 2015

Getting back to off-cam flash

It was 2009 when I was first introduced to off-cam flash photography. At that time, I was using a Nikon D70s, Nikkor 50mm f/1.8D, and Nissin Di622. I stumbled upon David Hobby's site about off-cam flashes and got excited with the whole new idea of controlling the light. I bought an affordable light stand and umbrella from Tayhua and got myself a basic strobist kit for a little less than $60.

I tried it and I was able to come up with some photos, most of which were already deleted. I found two photos though, which I shot sometime in 2009-2010 using one flash only (Nissin Di662, D70s, and 18-55mm).



And just this year, after having sold my photography stuff years ago, I bought a myself a new 40" umbrella and 2 pieces of 9 ft light stand. Took some shots last January 23rd with my friends while they were drinking.



Uncle Raul with my former bandmates Rica and Mike. Shot using Nikon D7000, Tamron 17-50mm with Nikon SB-900 and Yong Nuo 560II on 9 ft sticks.


Later on, I asked my sister to help me do some test shots:

Abby. Shot using D7000, Nikkor 50mm f/1.4D, SB 900 Reflective umbrella 45 degrees left and YN 560II bare 30 degrees placed right side behind the subject.

I'm amazed at the beauty of what off-cam light can produce. I know I'm back to square one because I stopped doing this for about 6 years (wow! can't believe it was that long!) and I have a lot to cover but I'm excited and I can't wait to shoot again!

I'll be posting new projects as I continue to explore and run with lights!

In the meantime, here are some shots I took last week on the 7th of February.

RJ. SB 900 reflective umbrella closed down to produce a "poorman's softbox", using D7000 17-50mm.

Mike. SB 900 can't remember if it was a shoot-through or reflective though. 

Lenses and Flashes for rent

Hello guys! I'm having my equipment rented!

Prices are fixed and good for one whole (loooooong) day, or 24 hours!
All lenses have Think Tank Cases.

If you get all three lenses or two lens and one flash combo, I'll throw in the Think Tank set with a Vanguard belt!



Nikkor ED 80-200mm f/2.8D (push-pull version) - Php 800.00


  



Nikkor 50mm f/1.4D - Php 700.00


















Tamron 17-50mm f/2.8 XR DiII SP - Php 600.00





Nikkor SB-900 (with 4 pcs eneloop batt) - Php 500.00



 Yongnuo YN-560II (with 4pcs eneloop batt and case) - 400

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Think Tank lens cases with Vanguard Belt - free when you get three lenses or two lens and a flash combo!